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Undeterred by a signal on the moonlit sky shaped like a persnickety film critic hanging from a noose, a few courageous media voices are rising up in opposition to The Dark Knight, daring to suggest that the greatest movie ever made might actually, y'know, not be. First came the AP, which devoted a whole article to Christian Bale's throaty Batman voice, asking, "Why so sonorous?" Now, in a scene that recalls The Dark Knight's ferry-set climax, even more brave souls are daring to speak up, suggesting continuity goofs and asking important questions like, "No, seriously: what was up with that Scarecrow cameo?" The Detroit News breaks down ten of The Dark Knight's biggest head-scratchers, excerpted after the jump:

The clumsy action sequences. "The Dark Knight" is best when it's blowing stuff up, and in the film, warehouses, hospitals, and cars all go boom real good. The other action scenes aren't quite as coherent. Batman's hand-to-hand combat scenes are something of a mess: He's there, punching people, but it's hard to quite make out what's going on on-screen... Look, I don't expect to understand everything Batman does — he's Batman, for chrissakes — but I feel it's the director's job to at least attempt to make sense of some of what's going on, and I feel like Christopher Nolan has a real problem bringing narrative clarity to his action sequences.

...The guy threatening to expose Batman's identity. A Wayne Enterprises worker bee figures out that Batman and Bruce Wayne are one in the same, and after getting smacked down by Morgan Freeman's Lucius Fox for trying to extort Wayne Enterprises for millions, he goes on TV to expose Batman's identity on a "Larry King"-type show hosted by Anthony Michael Hall (which is a whole can of worms I'm not even going to get into). The interview is on TV for several minutes, and the whistle-blower still hasn't given up the goods, and then the Joker ends up interrupting the show before the secret gets out. So... what did they discuss the first few minutes of the show? Was this interview like "American Idol," where they weren't going to get to the good stuff until the final minutes of the show?

In response, Bat director Christopher Nolan clapped his hands, immediately dispatching a legion of fanboys to blow up the Detroit News. Finished with such trifling matters, Nolan turned his attention to that most serious of questions: Clayface or Killer Croc for Batman 3?